Emma in the rehearsal room

In live performance on 'Narnia' 2016

Since a change of regulation stopped acting from being an exempted profession, it has become impossible for anyone to talk openly regarding the disability status of any actor who is a candidate for a role.

This has led to a widespread situation in the industry where productions who mightn't already have experience of working with a range of disabilities are disempowered from exploring what having a disabled team member involved on a project is like.


Having taken advice from several leading Irish casting professionals, I have chosen to include this page within my website to give an idea of what it is like to work alongside Emma and me, to allow an open dialogue which, if not in direct reference to any part for which I am under active consideration, is legal under current regulations.

Backstage working Musical Theatre

Emma in the rehearsal room

Working on a self-tape

Working living history       photo: Gail Pollock

Retreiving dropped object while working tech

               Photo: South Devon Players

Live performance (Living History)

               Photo: Irish Arms

              Working tech

photo: South Devon Players

Photocall with the Equity (Ireland) Executive 2017

About Emma:


Emma is a 'mobility' and 'tasker type' assistance dog, provided by Irish Dogs for Disabled, an Assistance Dogs International (ADI)

Approved Assistance Dogs Provider.


As such, Emma's legal status is "wheelchair" and she can go into any public place and into any workplace environment.


Since Emma & I were paired in 2014, we have worked in a variety of environments, which has included:

* Theatre spaces - ranging in size from 25 - 1200 seats
* A variety of film and TV sets - both studio-based and location

* Sound studios

* Scheduled monuments - working living history

* Live performance venues - including museums, galleries, etc

* Outdoor venues - period specific & one-off (e.g. parks etc)


Emma received specific training to be able to work around crowds.
The largest audience numbers we have worked with to-date have been 8,000 people over a 2-day run.



About working with Emma:


Emma works with me on either verbal, or signed commands, depending on the situation. She is well aware of the importance of remaining silent when in the wings and while "rolling".


Typically, Emma remains with me at all times.

However if there is an absolute need for it within the context of a film/TV piece, on occasion we have been accompanied by my husband (himself an actor) who doubles as our PA and once I have got safely to my position, he has taken Emma out of the frame while we are rolling.


Emma picks up dialogue and blocking about as fast as I do (though on occasion she has been faster!) and while she may show interest in a standby or cue from the wings, when we are actively performing, though she may occasionally show interest (typically a cocked ear, or a head-tilt), she does not usually anticipate, or give away plot.


Overall, if you've ever had a well-behaved five-year-old working with you, you will have a fair idea of what working with Emma is like.



Travel:


Emma holds a fully up-to-date passport and can travel with me at any time, however, there is an additional step involved with booking her travel. To discuss please



FAQs:


Could someone on my project have allergy problems?

No. Emma is a Labradoodle and therefore a hypoallergenic breed. This was a factor in our matching - so that work would not be adversely affected.